corny (adj.)

[grain], Old English corn "single seed of a cereal plant; seeds of cereal plants generally; plants which produce corn when growing in the field," from Proto-Germanic *kurnam "small seed" (source also of Old Frisian and Old Saxon korn "grain," Middle Dutch coren, German Korn, Old Norse korn, Gothic kaurn), from PIE root *gre-no- "grain."

The sense of the Old English word was "grain with the seed still in" (as in barleycorn) rather than a particular plant. Locally understood to denote the leading crop of a district. It has been restricted to the indigenous maize in America (c. 1600, originally Indian corn, but the adjective was dropped), usually "wheat" in England, "oats" in Scotland and Ireland, while Korn means "rye" in parts of Germany.

Maize was introduced to China by 1550, it thrived where rice did not grow well and was a significant factor in the 18th century population boom there. Corn-starch is from 1850. Corn-silk is attested from 1852.

"popcorn ball," 1843, from corn (n.1) + ball (n.1). The adjectival meaning "trite and old-fashioned" (by 1949 in Billboard magazine) probably is an elaboration of corny in this sense; cornball "a corny person" is noted in African-American vernacular by 1946.

adjective suffix, "full of or characterized by," from Old English -ig, from Proto-Germanic *-iga- (source also of Dutch, Danish, German -ig, Gothic -egs), from PIE -(i)ko-, adjectival suffix, cognate with elements in Greek -ikos, Latin -icus (see -ic).

Originally added to nouns in Old English; it was used from 13c. with verbs, and by 15c. with other adjectives (for example crispy).

Variant forms in -y for short, common adjectives (vasty, hugy) helped poets keep step with classical feet when the grammatically empty but metrically useful -e dropped off such words in late Middle English. To replace it, by Elizabethan times, verse-writers had adapted to -y forms, and often it was done artfully, as in Sackville's "The wide waste places, and the hugy plain." Simple huge plain would have been a metrical balk.

After Coleridge's criticism of the -y forms as archaic artifice, poets gave up stilly (Moore probably was last to get away with it, with "Oft in the Stilly Night"), paly (which Keats and Coleridge himself had used) and the rest. Jespersen ("Modern English Grammar," 1954) also lists bleaky (Dryden), bluey, greeny, and other color words, lanky, plumpy, stouty, and the slang rummy. Vasty survived, he said, only in imitation of Shakespeare; cooly and moisty (Chaucer, hence Spenser) he regarded as fully obsolete. But in a few cases he notes (haughty, dusky) they seem to have supplanted the shorter forms.